In my younger years, I coped with life's difficulties by focusing all my energy into "left-brain" activities - academics, perfection and mathematics. It has been a long road, slowly reconnecting to the free, expressive side of my brain, and this is reflected in my work.
Many of my pieces have a simple, clean shape with a focus on functionality. Those left-brain sensibilities have not left me, but my creative flair shows itself in bold colour choices and these imperfect, overlapping sine waves. They have departed from their pure mathematical form, taking on a new life, just like me.
Another influence that comes across in my work is my affinity for traditional Indian motifs. My favourite part of my South Asian heritage is the beautifully intricate patterns created by mehndi artists and traditional Indian textile designers. Whether it be in the form of carved patterns or handmade reusable stamps, I continue to experiment with this aesthetic as a way to bring my unique voice to the ceramics community.
Pottery has grounded me so much, allowing me to reconnect with my physical form and the world around me. Few man-made creations can compete with the beauty of the blossoms of a lavender bush or the veins of a single leaf.
Producing these botanical imprints gives me an excuse to practice mental wellness by taking gentle walks in nature, rather than confining myself to technology.
My studio assistants, Neo and Kajal
My two precious dogs are my everything, so naturally, they have an influence on my pottery. While they don't have an appreciation for handcrafted ceramics and cannot be trusted around fragile items, I know they are always cheering me on.